Tag: focus

700 Members and Counting: Celebrating Our Creative Community and What Lies Ahead

Posted on by Allan Johnson in creativity, Observations

As autumn settles in, the nights are growing long and dark, and there’s a certain stillness in the air that invites reflection. I’m delighted to share that the Art of Creative Practice Meetup group has now passed 700 members in just two months (we also have a 4.9 star rating with 83 reviews, and I am so grateful to everyone who has shared their comments and reviews)! What a privilege it has been walking this journey with all of you! If you haven’t had a chance to join one of our meetups yet, please do because we look forward to meeting you and getting a chance to welcome you to our community!

For me, this season is also one of personal transition. I’m preparing to move to a new flat next year, a beautiful historic 1930s building I’m excited about, even if I never enjoy the actual moving process. I’m taking a few days away this week to recharge, but all of our usual events will continue as normal, including the Course in Miracles Study Group on Sunday night and our weekly co-working sessions on Monday morning.

We’re also now two months into the 12-week Artist’s Way Circle, and the depth and richness that has formed in that group continues to amaze me! Creative work is often solitary, but our collective spaces are where trust, care, and connection flourish. It’s in these spaces that we learn how to sustain ourselves as creatives, balancing the solitary labour of creation with the nourishment of community (if you didn’t get a chance to join the Artist’s Way Circle this year, I hope that we will be able to offer the opportunity again next year!).

The upcoming Five-Day Soul Map Challenge, running from December 8th to December 12th builds on these ideas, offering a structured pathway to align with creative and personal priorities. A central focus of the challenge is an exploration of what are called subpersonalities, the psychological term for the masks and personas we all have. Many of these voices serve useful purposes, but they can also pull us in conflicting directions or keep us stuck.

Alongside this, the challenge works with what are called mind/body/emotion centres. Many of us operate instinctively from one centre—our thoughts, our feelings, or our physical impulses—but rarely from all three. In the Challenge, you’ll explore what it feels like to operate from each centre and discover the balance you need to make aligned choices, manage energy, and move forward with clarity.

The Challenge also introduces a number of powerful, brand-new tools that I can’t wait to share with you! They are designed to reveal hidden patterns, release blocks, and help you translate insight into tangible action.

To give you a taste of the work, I’m hosting a free Inner Alchemy workshop on December 1st. This powerful session introduces some of these tools, demonstrates how they work, and lets you experience the impact they can make in your creative practice before committing to the full five days.

Even as the nights grow longer and the world slows down, the creative work continues, both in the quiet of your studio and in the shared spaces we cultivate together. Whether it’s our Study Group, co-working sessions, or the Soul Map Challenge, these gatherings are where reflection meets action, insight meets support, and the solitary and communal aspects of creativity meet in balance.

The coming year holds enormous potential for you all, and I feel deeply privileged to walk alongside all of you on this journey. I can’t wait to see how 2026 unfolds!

Upcoming Workshops

Weekly Events (free/community supported)

Metaconsciousness: Becoming Aware of the Ways We’re Driven

Posted on by Allan Johnson in Observations

Lately I’ve been thinking about how much of life unfolds beneath the surface of our awareness, not just in the mysterious depths of the unconscious, but also in the quieter, more practical rhythms of habit, mood, and reaction. What if our real work is to notice not just what we’re conscious of, but how consciousness itself is being directed?

That’s what is meant by metaconsciousness, the capacity to recognise when we are being driven by hormones, hunger, fear of rejection, deadlines, the steady dopamine drip of our phones, or the deep psychic grooves of childhood conditioning. In my own experience—especially during the past few months of moving between projects, planning new teaching, and reshaping routines—this awareness has felt like an internal turning point. The challenge isn’t simply to ‘be mindful’, but to discern the layers of agency beneath the surface: Who, exactly, is choosing what I’m doing right now?

When I start to ask that question seriously, it becomes uncomfortable. I notice how much of my day is already spoken for by subtle compulsions masquerading as preferences. Even something as benign as checking email can carry the faint pulse of anxiety, a microdose of control. We like to believe that modern life rewards autonomy and discernment, but in practice it trains us in reactivity, which is, by definition, the opposite of freedom.

From Consciousness to Metaconsciousness

Consciousness, in this view, is not a steady state but a constantly fluctuating field of attention. It’s automatic, embodied, and largely determined by biological imperatives. You feel hunger, so you eat. You feel threatened, so you defend. You feel bored, so you reach for your phone. These are not moral failings; they’re simply how the nervous system evolved to keep us alive.

Metaconsciousness, though, introduces a different quality. It’s what happens when we see that we’re acting automatically and hold that recognition with curiosity rather than judgment. There’s a subtle but profound difference between saying ‘I’m angry’ and ‘I notice that anger is arising’. The first statement identifies with the emotion; the second observes it. And in that observation lies the seed of freedom.

This is why contemplative practice remains, for me, one of the few truly radical technologies of our time. Sitting quietly, noticing the mind’s movements without needing to edit or manage them, slowly reveals how much of what we call “self” is just a cascade of impulses, stories, and inherited scripts. Over time, a new perspective opens—one that isn’t outside the body but is no longer confined by it.

If you’re drawn to exploring this dimension in your own creative or professional life, I’ll be leading an online session called Mindfulness for Creatives: Cultivating Focus, Flow, and Inspiration on 23 October (7.30–9.00pm, UK time). We’ll look at practical tools for noticing when attention narrows or scatters—and how that awareness can restore genuine inspiration.

The Drama of the Driven Life

Of course, once we begin to see how we’re driven, another pattern emerges: the drama of selfhood. Many of us unconsciously replay emotional scripts that were formed long before adulthood, such as seeking validation, fearing abandonment, or rescuing others to avoid our own discomfort. These patterns aren’t evidence of failure but they are evidence that we are living out of old perspectives and potentially trying to replicate old relationships from the past, especially the damaging or traumatic ones.

But they can also be exhausting. In coaching and in my own reflective practice, I’ve seen how deeply these dynamics colour our work, our love, and even our whole sense of purpose. The shift toward metaconsciousness invites us to watch these patterns with compassion and detachment, and to move, in psychological terms, from within the drama to observing it.

This theme forms the heart of my upcoming workshop Stopping the Drama Cycle: A Workshop on Love & Our Limiting Patterns on 3 November (7.00–8.30pm, UK time). It’s an evening devoted to understanding how we get pulled into emotional triangulations—the victim, rescuer, and persecutor roles that Karpman identified—and how to step into a more mature and loving mode of engagement. If you’ve ever felt trapped in repetition, whether in relationships or creative work, this session offers a clear, compassionate way through.

Beyond Insight: Practicing the Miraculous

Metaconsciousness doesn’t stop at awareness; it calls for us to do something with it and act from a deeper centre. For me, this is where A Course in Miracles becomes a training in radical perception. Its central insight, that we can learn to see differently, aligns perfectly with the idea of metaconsciousness: we are not our automatic thoughts, but the awareness capable of choosing love instead of fear.

In Practical Miracles: Practicing the Course Beyond the Book on 8 November (2–5pm, UK time), we’ll explore this integration more experientially. How do we move from intellectual understanding to lived transformation? How do we reframe life’s small irritations as opportunities to practice gentler perception? This isn’t about metaphysical abstraction but about everyday miracle-mindedness: the courage to meet the driven mind with tenderness.

A Season of Turning Inward

As autumn settles in, I find myself slowing down a bit. The academic year begins; projects find their rhythm; the light changes. Each season asks for its own form of consciousness, and autumn, for me, always invites metaconsciousness. It’s the season of noticing how we’re driven: by deadlines, by expectations, by the desire to finish before winter.

But it’s also the season of release. Of choosing what’s worth carrying forward and what can gently fall away. In this way, the movement from consciousness to metaconsciousness mirrors the movement from doing to being—from the leaf’s impulse to hold the branch to its graceful surrender to air.

If you’ve been following some of my recent writing on what our books say about us or how to develop positive morning rituals, you’ll recognise the same undercurrent: how to live well within limits. To become aware not only of what drives us, but of the stillness beneath those drives.

And that, I suspect, is the quiet art of metaconsciousness. Not transcending the body or renouncing the world, but inhabiting both more fully—knowing that our thoughts and feelings will continue to move like weather, while something deeper watches with patience.

If you’d like to explore that space with others this autumn, I hope you’ll join one—or several—of these gatherings.

Upcoming Workshops

Morning Rituals for a More Grounded Day

Posted on by Allan Johnson in artist's way, Observations

The early bird 40% off offer for The Artist’s Way Circle: A 12-Week Creative Journey closes at midnight tonight. In this powerful small-group experience, we will work through Julia Cameron’s classic book together, sharing insights, deepening our practice, and building a creative community that makes the journey feel less solitary and more alive.

For me, mornings have become less about rushing into productivity and more about creating a small pocket of time that feels set apart, a threshold into the day. This is, after all, what Julia Cameron invites us to do in The Artist’s Way: show up to the blank page before we show up to anyone else.

A ritual isn’t a routine; it is a way of marking time as meaningful. When I light a candle before writing, or make my coffee slowly in my V60 instead of rushing, I am reminding myself that this time is not just another item to cross off a list, it is where my life begins for the day. Mircea Eliade, in The Sacred and the Profane, writes about ritual as a way of stepping into ‘sacred time’, a space where the ordinary becomes charged with significance. For me, this might mean lighting a special candle that reminds me of that changing of the seasons going on at the moment, or pausing for a moment on the balcony to notice the light on the plants before I open my laptop. These small gestures are a way of crossing the threshold deliberately, rather than being dragged into the day half-awake.

Groundedness begins in the body. No amount of list-making and project management will make a difference if I wake up already scattered and tense. The first thing I try to do now is move. I have been trying to get into running again, which I alternate with indoor rowing (my preferred cardio of choice). And after years of not making progress or any form of commitment to resistance machines at the gym, I’ve taken up strength training with two simple dumbbells, which has been an absolutely fantastic development in my fitness journey–the trainers on FIIT have revolutionised my entire outlook on dumbbells. This comes alongside my yoga practice, which has been with me for nearly 25 years. The point is less about physical fitness (although, as I get older, I am becoming increasingly aware of the need to build lasting wellness) and more about arriving in my body. As Bessel van der Kolk reminds us in The Body Keeps the Score, our sense of safety and clarity begins somatically, not intellectually. If I can bring my nervous system into a calmer, more coherent state first thing, the rest of the day feels less like a battle.

Creativity thrives in spaciousness, not in haste. This is where Morning Pages come in—Julia Cameron’s influential practice of writing three longhand pages first thing in the morning. They are not intended to be polished or even interesting; they are more like clearing mental static, a way to compost the thoughts that would otherwise clutter the mind all day. I find that pairing them with something tactile—a favourite notebook, a good pen—enhances the ritual. (In The Artist’s Way Circle, we’ll not only practice Morning Pages but also discuss what they unlock: the surprising insights that surface when we permit ourselves to be imperfectly present.)

Not every ritual has to be still. A ten-minute stroll before sitting down to write can be as clarifying as a meditation cushion. The Go Jauntly app has been such a fantastic presence for me. Thich Nhat Hanh speaks beautifully about walking meditation as a way to arrive in the present moment, and I find that even putting on a playlist and tidying the kitchen can create that same bridging effect between sleep and wakefulness. The point is to let the mind settle before reaching for the phone, before taking on the noise of the world.

During my sabbatical, I’ve been focusing on testing and adjusting my daily habits so that when I return to a busy routine of teaching and administration in the new year, I will have a clear understanding of what best supports my growth and development. Protecting the first hour of the day is, I’ve come to see, an act of self-respect. Seneca reminds us that we are often more careful with money than with time, though time is the one thing we can never get back. I’ve started following a ‘no-scroll rule’ in the first hour of the day, and replaced it with going straight to the gym.

The key is not to design the perfect morning but to make a start, consistently. There have been mornings where the ritual falls apart—when I oversleep, or skip the gym entirely—but I’m learning that a ritual that only works on perfect days isn’t really a ritual at all. The point is to keep coming back. James Clear’s Atomic Habits puts it simply: habits compound over time. A short, wobbly practice is better than a grand plan you never do.

This time of year feels like an invitation to recommit. I’ve always felt that September carries more of a ‘new year’ energy than January—it must be the academic calendar still in my bones. This month, I’m choosing to double down on the things that anchor me: lighting a candle before email, a few minutes of breathing exercises, and breakfast that feels nourishing rather than hasty. I’d love for you to consider what this season might invite for you.

Ultimately, a grounded morning is an act of creative resistance. In a culture that would have us wake up and immediately start scrolling, choosing ritual is choosing presence. So tonight, ask yourself: how do you want your mornings to feel for the next twelve weeks? And if you are ready to experiment—with ritual, with creativity, with spaciousness—I’d love for you to join us in The Artist’s Way Circle. The early-bird 40% discount closes at midnight tonight, and there are just a few spots left. Your mornings—and your creative life—might look completely different on the other side.

More to Explore

Autumn Creativity Awaits: Upcoming Events

Posted on by Allan Johnson in creativity

As the leaves turn and the pace of life shifts, autumn is the perfect season to nurture your creative self. Whether you’re a writer, artist, academic, or thinker, this fall I’m offering a range of events designed to support your practice, spark fresh ideas, and help you stay focused and inspired.

🎨 Weekly Creative Flow Sessions – Free
Dedicated time to write, draw, or work on your projects alongside other creatives. No pressure, just presence, energy, and support. Quiet, structured sessions to help you start, focus, and finish your creative work in good company.
RSVP here

📖 12-Week Artist’s Way Circle
Dive deep with Julia Cameron’s classic book, The Artist’s Way, bringing the work to life in community with practical exercises and reflections to reclaim your creative voice. Weekly 90-minute circles for reflection, sharing, and growth.
Join here

🧘 Mindfulness for Creatives – Evening Workshop
Learn mindfulness techniques specifically for creatives and academics. Cultivate focus, flow, and inspiration in your daily practice in this 2.5-hour workshop filled with science-backed insights and practical exercises and tools.
Reserve your spot here

Autumn is a season of new beginnings and renewed energy. Whether you’re seeking free flow time, structured accountability, or a transformative creative journey, there’s a place for you in these sessions. I’d love to see you there—let’s make this autumn a season of inspiration, focus, and creative growth.

What If You Could Train Your Mind for Peace?

Posted on by Allan Johnson in Observations

We live in a time when personal development is everywhere. Books, podcasts, apps, retreats—offering promises of clarity, balance, transformation. Yet for all the tools we now have at our fingertips, many of us still feel stuck in cycles of stress, comparison, anxiety, and low-level unease. We meditate, journal, affirm—but underneath, a quieter question lingers:

Why do I keep thinking in ways that don’t serve me?

A Course in Miracles doesn’t answer that question in the way most programs or teachings do. It doesn’t try to fix your life. It doesn’t teach you how to manifest your dream job, or how to wake up feeling inspired every morning. It doesn’t even really give advice.

Instead, it offers something far more radical: a training in how to undo fear at the level of thought. Not by fighting it. Not by spiritually bypassing it. But by recognising how much of what we call “reality” is coloured by unconscious habits of mind—and learning, very gently, to choose a different lens.

The Course tells us: “Nothing real can be threatened. Nothing unreal exists. Herein lies the peace of God.”

That sounds mystical, and it is. But it’s also incredibly practical. It points to a profound principle: most of what we spend our time defending, controlling, resisting, or avoiding… isn’t actually real. It’s based on thoughts we’ve inherited, stories we’ve absorbed, and fear patterns we mistake for wisdom.

And yet—there is another way of seeing. And we can learn it. That’s what A Course in Miracles invites us to do.

Not a Religion, But a Mindset Shift

For many people, the word “Course” suggests a study program, while “Miracles” sounds like something out of a spiritual fantasy novel. It’s no wonder people hesitate to pick it up. But behind the slightly intimidating title is something remarkably down-to-earth: a process.

The Course is made up of three parts:

  1. A Text that lays out the underlying framework for how we perceive the world, and how we might begin to shift our perception.
  2. A Workbook, offering a lesson for every day of the year, each designed to undo a particular block to awareness.
  3. A brief Manual for Teachers, which clarifies how to embody and share the Course’s core principles.

What’s unique about the Course is that it doesn’t ask us to adopt new beliefs. It doesn’t claim to be the only way. In fact, it repeatedly says it’s just one path among many. But it is precise. And if you feel drawn to it, it works deeply.

The Course teaches that the world we see is shaped by the thoughts we think. But unlike most positive psychology, it doesn’t suggest we simply replace negative thoughts with nicer ones. Instead, it asks us to recognise the root of our misperception—fear, judgment, separation—and to bring those habits into awareness, where they can be gently released.

This is not about willpower. It’s not about becoming a better version of yourself. It’s about becoming aware of the part of your mind that thinks it has to struggle for worth, and learning how to soften its grip.

A Path Practised by Many (Even If You Don’t Know It)

You may have encountered the Course without realising it.

Marianne Williamson’s A Return to Love—a breakout spiritual classic in the 1990s—was drawn directly from her experience as a Course student. Oprah, who championed the book, has spoken about how the Course shaped her understanding of forgiveness and emotional responsibility. Gabrielle Bernstein built much of her early work around making Course ideas more accessible to a younger generation.

And yet for all this quiet influence, the Course remains relatively underground—a word-of-mouth path. That’s partly because it’s not easy to summarise. It’s not designed for social media snippets. It asks for attention, and offers clarity in return.

Why Study the Course in a Group?

Like many spiritual texts, A Course in Miracles is best read slowly, with space to reflect, question, and apply. It isn’t something you power through. In fact, many people return to it again and again over years—each time discovering something they didn’t see before.

That’s why I’ve created an 18-month study group, meeting weekly on Sunday evenings from 7.30 to 9.00pm UK time.

We take the Text section by section—reading together, reflecting aloud or in silence, noticing how these teachings meet our real lives. There’s no pressure to contribute, no expectations of previous study. Just an invitation to explore what happens when we train the mind for peace rather than protection.

Once you register, you’ll receive the full reading schedule. You can join each week or come when you can. The rhythm is slow, sustainable, and designed to create space for integration rather than overwhelm.

Some people come with a long-standing interest in the Course. Others are completely new. Some are therapists, teachers, or coaches looking to deepen their personal practice. Others are simply seeking an anchor—something intelligent and transformative that doesn’t ask them to leave their critical thinking behind.

Miracles, Redefined

In the Course, a miracle isn’t a supernatural event. It’s a shift in perception—from fear to love, from control to trust, from attack to understanding. These are the quiet revolutions that can change a life from the inside out.

And they happen, not because we force them, but because we create the conditions for them to arise.

In a world that often feels fast, fragmented, and fraught with uncertainty, the Course offers something rare: a path of steady, unhurried insight—one that helps us see ourselves and others more clearly, and respond from a place of genuine freedom.

You’re Invited

If something in you feels curious, even if you’re unsure what to make of the Course, you’re warmly invited to join us. There’s nothing to prove. No need to sign up to a belief system. Just a willingness to explore what happens when we start training our minds not to panic, but to listen.

🌀 Ready to begin? Join the study group here